Workshop Five: Graphics and Visual Composition

Goals: To think about how graphics can contribute to the design and function of your site. To familiarize you with one of the premier tools for creating graphics for the Web.

Rationale: Adobe Photoshop is available on Polaris--a shame if you don't at least get a taste of its capabilities. With Photoshop, you can create very high quality image files to enhance your site. 

Beyond the technical issues of actually creating and importing such images, there is the question of how to integrate them effectively; in Part One we will consider that question.

Part One: 

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Like most commercial Web pages in use right now, the Lycos page minimizes the size of the graphics files to keep loading times short and people at the site. Your research Web site is under no such commercial compulsions, but it makes sense to keep graphic files small for all kinds of reasons--including the fact that your server account is probably short on space. 

 As the Web becomes more and more graphic intensive, we feel impelled to make our pages more visually rich. Yet as students of rhetoric, we resist doing things simply because we can; we select tools with purpose and audience always firmly in mind.

So here's the question: why would you want to use graphics at all? Well, like the Lycos site, there are certain prototypical "informational elements" that simply become more useful, interesting, and persuasive as graphics.

Photographs: a picture is worth... and obviously, they're impossible in HTML.

Logos and headers: you just can't make a distinctive and unique header or logo with "H1, H2" and so on.

 

Icons and navigation features: ditto

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Text: again, many of the fonts you might want to use in a title won't work in HTML.

The New York Times on the Web

 

Now, assuming you do want to add graphical elements to your page, the questions are: how many, what kind, and where? Depending on the genre you're working in (technical, instructional, institutional, experimental, academic, commercial), the answers will vary. But I think there are two central questions you MUST ask yourself no matter what genre you're working in: 

1. Does the graphic help the user understand something? (It could be content: "what is this?"; it could be function: "where am I?", "how do I...?") If you can't answer this question in the affirmative, it surely means the graphic is gratuitous.

2. Does the graphic work thematically (does it contribute to the metaphor, does it enhance the mood or "feel" of the site). Again, if it does not, why are you using it?

 

Exercise: Two research sites by graduate students in English

Take a look at this student site from the University of Minnesota. Pay special attention to the graphics and their function within the site. (Note: the pages load slowly but please be patient; try to look at most of them.)

After you've examined the above site, take a look at this one from students at the Georgia Institute of Technology. Again, pay special attention to graphics' function within the site. (Note: these pages promote a cd-rom version of the research topic, which you won't actually be able to view.)

After about 10 or 15 minutes we'll discuss them.


 

Part Two: If you've ever used a basic Paint program (usually found in Accessories in Windows) you've got a taste of what Photoshop can do. Paint allows you to create or place images on a "canvas." You can makes shapes, fill them with colours, add text, draw, and so on. But you are limited to one "layer," i.e., everything you put on the canvas gets covered over by what you put on top of it. With Photoshop, however, you can create multiple layers, each of which you can control individually. All of the elements on the layers can also be controlled individually. Eventually you'll "flatten" these layers into just one, but during the process of design you have incredible control. Add to the layering feature a myriad of artistic effects and you have far more creative capacity than you'll know what to do with.

Here's an example of what you can do (seriously!) with Photoshop, drawn from a site designed by one of our text authors:

Introduction to Cardiothoracic Imaging

Probably Lynch used at least three or four layers to achieve these effects, and probably a lot more. Notice  how the red line runs under the picture of the heart and over the thoracic x-rays in the dark background. Each of these elements (and probably the text too) was created on a separate layer, then fused into one. It would be very difficult to achieve such superimpositions in a non-paint program.

Why you might want to use Photoshop: in your Web sites, many of you want to import graphics (either uncopyrighted clip art files or photos of your own) in order to modify for your own purposes or to annotate them.  With Photoshop, you can import those graphics, then place text or other features on top of them. This capability would be especially handy if you want to create hotspots of specific items on the graphic to link to explanatory notes elsewhere in you site. (Run your cursor over the left ventricle to see what I mean.)

Of course, you can also use Photoshop to design your own original graphics, especially standard Web page items like navigation bars, titles, logos, and so on. You might recognize the graphic below from the online version of the Web Style Guide; it goes at the top of every page. The forward and backward button are linked to the preceding and next page in the topic series, while clicking the text sends you back to the home page. It's an easy and effective way to create a consistent look and clear navigational structure.

Yale C/AIM Web Style Guide

 

Finally, you can create graphic elements and logos to extend a visual metaphor or theme across the site:

 

Part Two: Open Photoshop. (Type "finearts" in Run in the Start menu). Under "File" click "New." You will be presented with some options for the name of the file, the image size, and the background. Just take the defaults, but make sure the Background is set to Transparent.

Now you have a blank canvas on which you can place another image or paint your own.

The tutorial we're going to do will take you through the basic things you need to know to use Photoshop successfully. Beyond that, though, you'll have to play around with it to unleash some of its more esoteric functions.